We mourned the loss of the old tree, but knew that a dozen of its progeny standing straight and stalwart on the sands had already taken over its job of wood-making.
We let the dead veteran season for a year in the sun it could no longer use, and then on a crisp winter’s day we laid a newly filed saw to its bastioned base. Fragrant little chips of history spewed from the saw cut, and accumulated on the snow before each kneeling sawyer. We sensed that these two piles of sawdust were something more than wood: that they were the integrated transect of a century; that our saw was biting its way, stroke by stroke, decade by decade, into the chronology of a lifetime, written in concentric annual rings of good oak.
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